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As the long-awaited COVID-19 vaccine brings a glimmer of hope, through candid conversations with people waiting in line for vaccination, this globally relatable film reveals the disorientation and skepticism that permeate our collective experience.&nbsp;&nbsp;Serving as collective therapy for the post-COVID era, this humorous and humane snapshot of a unique moment in time uncovers the threads of resilience and connection that bind us, reminding us of our common humanity in the face of unprecedented challenges.

This humorous and humane snapshot of a unique moment in time uncovers the threads of resilience and connection that bind us, reminding us of our common humanity in the face of unprecedented challenges.

Goran Dević studied law, archaeology and film art at Academy of Dramatic Art, University of Zagreb, Croatia currently teaches at the Documentary Film graduate studies there. His documentaries and fiction films have won awards in Pula, Cottbus, Prizren, Prague, Sarajevo, Oberhausen, Leipzig, Motovun, and Zagreb. His feature film debut, THE BLACKS, co-directed and co-written with Zvonimir Jurić, was critically acclaimed.&nbsp; Retrospectives of his documentaries were featured at Arsenal Berlin, MAXXI Roma, Crossing Europe Filmfestival Linz, Beldocs, and Zagreb.&nbsp; He co-founded the production company Petnaesta umjetnost.&nbsp;

Goran

Author's Documentaries

Human Interest & Society

Science & Technology

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Paviljon 6

English

Pavilion 6

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WHERE DRAGONS LIVE is an extra-ordinary, feature length documentary that takes us through the looking glass into a lost world where upper-class gentlemen once embarked on world tours to collect antiquities as a right of passage, and their children read story books in Latin. Artist Harriet Impey was one of those children. For Harriet and her three older brothers, growing up ‘among dragons’ at Cumnor Place was a life of enchanted gardens, Arthurian legends and things that go bump in the night. Theirs was a rarified, story-book childhood that stoked their wildest imagination and greatest fears in equal measure. Now adults, where they once played make believe and slayed dragons, the siblings must come together to sort and clear out the family estate ready for sale, and come to terms with an unorthodox, and at times traumatic upbringing.&nbsp;Like a museum of the Impey childrens’ childhood, everything at Cumnor Place is preserved eerily in time like their father’s own bizarre bottled reptiles that still line the shelves. Even the fire-breathing dragons at the center of the family mythology now take their place among the dusty artifacts and curiosities that spill out from behind cupboard doors and dusty chests like buried treasure. Stepping back inside Cumnor Place, Harriet says, is like stepping into the past. “The house has a strange effect on all of us.”&nbsp;As they unpack the Pandora’s Box of family life at Cumnor Place, the darker side of their childhood begins to surface too. Each of the siblings is faced with difficult choices about which artifacts to keep and which to throw away - just as they must grapple with their own conflicting memories and wounds - and as all grown ups must eventually do, learn to see their parents through new eyes - not as monsters or heroes, but as mere mortals.&nbsp;WHERE DRAGONS LIVE is an intimate and enchanting portrait of childhood fears, imagination and the enduring power of the family myths and artifacts that shape our lives.

An intimate and enchanting portrait of 
Childhood fears, imagination and the enduring power of the stories and objects that shape our lives.

Suzanne Raes has been working as an independent filmmaker for more than 20 years. Her early films a.o. THE HOUSES OF HRISTINA (2007), THE RAINBOW WARRIORS OF WAIHEKE ISLAND (2009), and THE SUCCESSOR OF KAKIEMON (2012) premiered at IDFA and won several awards at international film festivals. Her film COME CLOSER about Boudewijn de Groot received the IDFA Music Audience Award in 2015.&nbsp;For her film about the Rotterdam social service, QUID PRO QUO (2015) Raes won a Golden Calf, the most important film award in the Netherlands. More recent the co-production GANZ; HOW I LOST MY BEETLE had a successful theatrical release and has been broadcasted in the Netherlands, Germany and Switzerland. In 2023 her latest film CLOSE TO VERMEER ran for an Academy Award for Best Documentary Feature, with successful cinema releases in a.o. the Netherlands, USA and Germany. The film was nominated for a Golden Calf and won the Special Jury Prize at Guangzhou International Documentary Film Festival.&nbsp;

Suzanne 

Generation

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Waar draken wonen

Where Dragons Live

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Svitlana (52), the film's director and protagonist, grew up in Mariupol during the Soviet era, when all individuality was suppressed. Later, even living in Kiev in independent Ukraine, she was unable to find a clear self-identity, which influenced the fact that Svitlana's daughter Alexandra (28) grew up without an inner core and was therefore vulnerable to any propaganda.&nbsp;There are four generations of women in Svitlana's family, and each generation grew up under different political realities. Svitlana's mother, Valentina (76), has a more Ukrainian identity than Svitlana's daughter, who has a pro-Russian orientation. Time will tell who Sveta's granddaughter, Stephanie (2), will become.The family gathers in Kiev to celebrate little Stefania's birthday 10 days before the full-scale invasion. Valentina arrives in Kiev from Mariupol, destined never to return.&nbsp;The war destroys the family's life, its past and its future. The house where Valentina lived and where Svitlana and Alexandra grew up is destroyed, and in occupied Mariupol time begins to go back to the USSR.Alexandra and her daughter Stefania leave for the UK. Despite the war Alexandra continues to be in the Russian information field. Alexandra is comforted by the Russian language, as it is the only thing she has left from the past. Svitlana stays with Valentina in Kiev, where the fragile peaceful picture can be destroyed at any moment by the arrival of a Russian missile. With the onset of cold weather, power, heat, and communication blackouts begin. On dark winter evenings, Svitlana talks to Valia about the past. Images of life in a totalitarian society that was imbued with violence against the individual resurface before Svitlana.In London, Alexandra experiences a severe existential crisis, she feels lost, like a nobody. She starts visiting a psychologist to work through her resentment towards Svitlana. To support her, Valentina decides to leave Ukraine and join her granddaughter in the UK. Svitlana stays in Kiev, which is preparing for another dark and cold winter.

Together and one-by-one at the same time, four generations of Ukrainian women from one family embark on an emotional journey shaped by their newfound memories and family history.

Born in Mariupol in 1970, she worked for over 25 years for the leading television channels in Ukraine. In 2014, she opened a new chapter in her life by leaving television and immersing herself in screenwriting and filmmaking.&nbsp;Her first documentary works were short pieces for the INVISIBLE BATTALION anthology film in collaboration with the directors Alina Gorlova and Iryna Tsilyk. A BIT OF A STRANGER is her debut feature-length documentary and is based on her personal story.

Svitlana

Current Affairs & Politics

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A Bit of a Stranger

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Sicily, a world, a house, a library, a time capsule kept under lock and key.&nbsp;In January 2022, after having chosen to donate her journalist father’s vast collection of books and archival materials to the Central Library of Sicily, director Costanza Quatriglio returns to her family home in Palermo to welcome a team of archivists and librarians.&nbsp;&nbsp;And so begins a sentimental journey in the dwelling where she was born and raised. Through photographs, 8mm film and audio recordings from the 1940s onward, along with footage the director shot of her father 12 years prior, both a collective and personal memory come together.&nbsp;&nbsp;As the house is emptied of its belongings it is contemporaneously filled by a sea of memories, each remembrance tied not only to a life lived, but to a history of the 20th century. Sicily is an observation deck from which everything starts and to which all returns.The progressive vacating of the house further clarifies that only by knowing can one truly be capable of letting go, which in turn provides the catalyst for a rebirth of both the individual and the community.

A director takes a journey inside the house where she was born. As her journalist father’s home is emptied, private and collective memories wash over her and become a catalyst for rebirth. 

Director and screenwriter Costanza Quatriglio’s debut film was the multi-award-winning THE ISLAND, which premiered at the Directors’ Fortnight at the 2003 Cannes Film Festival and was restored in 2023 by Cinecittà Studios in Rome.&nbsp;She has directed films and documentaries garnering awards at numerous international festivals including Venice and Locarno. She won two Nastro d’Argento awards with TERRAMATTA in 2013 and TRIANGLE in 2014. Her recent films are the highly successful TV Movie THE LITTLE GIRL WHO DIDN'T WANT TO SING and THE VIRUS SMUGGLER.

Costanza

Art & Culture

History

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Il cassetto segreto

The Secret Drawer

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Every night nameless bodies land in Dr. Cristina Cattaneo’s autopsy room. She calls them the Pure Unknown. These Pure Unknown often belong to the fringes of society. They are homeless, sex workers, runaway teenagers. Lately, they have mostly been migrants, rejected by the Mediterranean Sea onto the shores of Italy. If all rights belong to the living, nothing is left to the dead. So what happens when the dead have lost their identity? In the face of this growing multitude, no one seems concerned about their right to dignity. No one but Cristina. &nbsp;&nbsp;

Nameless bodies land in Cristina’s autopsy room. Lately, they have mostly been migrants, rejected by the Mediterranean Sea. No one seems concerned about their right to dignity. No one but Cristina.  

Valentina Cicogna worked as assistant director and assistant editing on the documentary NAPOLI PIAZZA MUNICIPIO by Bruno Oliviero, produced by Indigofilm and Point du Jour, winner in the Italiana Doc section at the Turin Film Festival in 2009. She is the screenwriter of the film LA VARIABILE UMANA by Bruno Oliviero, with Silvio Orlando and Giuseppe Battiston, produced by Rai Cinema, Lumiére &amp; Co., Invisibile Film, distributed by BIM.&nbsp;&nbsp;She was the editor of several documentaries feature films, including QUARTIERI CINESI, (Rai Cinema and Indigofilm), IL GIUDICE E IL SEGRETO DI STATO (Point du Jour and MIR) and MM MILANO MAFIA (Invisibile Film, distributed by Chiarelettere) by Bruno Oliviero, IL COMANDANTE by Enrico Maisto, 74 MIGLIA (Invisibile Film) by Laura Viezzoli, ALBERI CHE CAMMINANO (Oh! Pen) by Mattia Colombo, based on a subject by Erri De Luca, distributed by Feltrinelli; she worked as scriptwriter and editor of the documentary VOGLIO DORMIRE CON TE (Start and The Kingdom) by Mattia Colombo, winner of the Salani Award and the Filmmaker Competition "Nutrimenti terrestri, nutrimenti celesti", finalist of the Solinas Award.&nbsp;&nbsp;She edited the film RITMO SBILENCO by Mattia Colombo, presented at the Rome Film Festival and distributed by Feltrinelli, and the documentary IL PASSO (Start srl and Rai Cinema) by Alessandra Locatelli, Mattia Colombo and Francesco Ferri, in competition at the Nyon Festival.&nbsp;&nbsp;She is the author and editor of the documentary film LA CONVOCAZIONE (The Summoning) by Enrico Maisto, winner of the 2015 Solinas Documentary Award for Cinema, produced by Start srl and Rai Cinema. The film was selected in competition at the 58th Festival dei Popoli, where it won the MyMovies Audience Award, and at IDFA.&nbsp;&nbsp;The latest works are LA SCOMPARSA DI MIA MADRE by Beniamino Barrese, which had its premiere at the Sundance Film Festival 2019, and BROTHERHOOD by Francesco Montagner presented in Locarno. PURE UNKNOWN is her directorial debut.&nbsp;

Valentina 

Mattia Colombo's first short film IL VELO was selected at Visions du Réel, EIFF Edinburgh Film Festival, AFI Silver Docs. The documentary ALBERI CHE CAMMINANO, written with Erri De Luca and distributed by Feltrinelli, was in competition at Festival dei Popoli, Slamdance Film Festival and Trento Film Festival. The documentary VOGLIO DORMIRE CON TE, winner of the Corso Salani prize, finalist at Filmmaker In Progress Lab, finalist at Premio Solinas Documentario per il Cinema and selected at Périphérie Cinéastes in Paris, participated in Cinéma du Réel and Biografilm Festival. The documentary IL PASSO, a Start and Rai Cinema production, was presented at Visions du Réel and broadcast on Rai and RSI.&nbsp; Mattia directed the film RITMO SBILENCO, a documentary on the Italian band Elio e le Storie Tese, a special event at the Rome Film Festival, distributed in Italian cinemas and on home video by Wanted Cinema. The documentary UNINVITED, a biographical film on Marcelo Burlon, fashion designer and outsider DJ, was released in Italian cinemas and distributed on home video by CG Entertainment.&nbsp; His most recent documentary, IL POSTO, was selected at Visions du Réel and Hot Docs. Mattia's current documentary PURE UNKNOWN, co-directed with Valentina Cicogna, is an Italy/Sweden/Switzerland production. The project was a finalist in the Solinas Documentary Award for Cinema, received support from MEDIA Europe, MiC, Trentino Film&nbsp;Commission, Piemonte Doc Film Fund, and was selected for the international workshop Dok.Incubator.As author and screenwriter, he is working on a crime series produced by The Family, inspired by the books of forensic scientist Cristina Cattaneo.&nbsp;

Mattia 

Human Rights

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The Audience Award in the the International Competition of <a href="https://www.biografilm.it/en/">Biografilm</a> 2023 goes to <a href="https://filmharbour.com/films/pure-unknown">PURE UNKNOWN</a> by Valentina Cicogna and Mattia Colombo!&nbsp;&nbsp;In addition, protagonist Cristina Cattaneo received the Celebration of Lives Award 2023!From the jury statement:"A festival focused on biographies can only defend and position itself in listening to and defending human dignity. Cristina Cattaneo is a doctor, anthropologist, full professor of Forensic Medicine at the University of Milan and she runs Labanof, a laboratory of forensic anthropology and odontology.This award goes to her, for her work and her courageous struggle in recognising the profound value of the history of every human being.&nbsp;With care, mercy, perseverance."

Biografilm Audience Award for PURE UNKNOWN

The Audience Award in the the International Competition of Biografilm went to PURE UNKNOWN by Valentina Cicogna and Mattia Colombo! 

<a href="https://filmharbour.com/films/pure-unknown">PURE UNKNOWN</a> has won the Special Jury Award in the International Competition at <a href="https://dmzdocs.com/eng/">DMZ International Documentary Film Festival</a> in South Korea!&nbsp;The festival showcases films dealing with peace, coexistence and reconciliation.&nbsp;It doesn't stop there, as earlier this month it also received a special mention in the main competition at <a href="https://www.ajbdoc.ba/">AJB DOC Film Festival</a> in Sarajevo! The jury stated that “this extraordinary documentary delves into a profound human story. The authors of this film, through a powerful cinematic approach, depict the heroic struggle of one individual against the entire system.”

Jury Award & Special Mention for PURE UNKNOWN

Sconosciuti Puri

Pure Unknown

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When Iván Simonovis becomes the first and most famous political prisoner in Venezuela, a 15-year period of imprisonment leaves devastating effects on his and his family’s lives. Living in exile as a filmmaker, his son Iván Andrés crafts a very personal and moving story, using over 25 years of unique family material, showing history from an angle never seen before.&nbsp; A family that had to overcome extreme hardship, a father that has to find his place in life again and a son that faces his traumas by inviting the viewer into the core of a wound that touched both his family and his entire country.

Iván Simonovis becomes the first and most famous political prisoner in Venezuela. His son Iván Andrés crafts a very personal and moving story, showing history from an angle never seen before. 

Iván Andrés Simonovis Pertiñez is a Venezuelan filmmaker exiled in Berlin.&nbsp;His work focuses on political persecution and exile. He has a degree in Communication Sciences from the University of Marburg and a Masters in Film from the Free University of Berlin. His documentary shorts for the web A LA DERIVA (2015), DESDE EL EXILIO (2017), and CARACAS 9 DE ENERO (2018) have appeared in international media outlets such as El País and Jungle World.&nbsp;His first feature documentary MY FATHER’S PRISON has been selected for the main competition at Vision du Reel.&nbsp;

Iván Andrés

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La Prisión de mi Padre

English 

My Father’s Prison

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In a small village in Galicia in northern Spain, Pablo’s family lives attached to their ancient traditions and beliefs. Feeling that he did not fit into their world, Pablo left 20 years ago to become a filmmaker. But, as both he and his family are growing older, a restless feeling in him starts to get stronger, urging him to go back home to confront the ghosts of the past and find answers, in the limited time they still have together. As every autumn, his grandmother Alicia opens the doors of her house to continue the ancestral tradition of making “augardente”, a homemade-liquor. The house is prepared, the „augardenteiros“ arrive and the neighbors come join in ritual and celebration. Nothing seems to have changed, but everything is different. Alicia no longer has the same energy and enthusiasm. Santi, the augardenteiro who has been there for many years, seems to have lost the joy in life after many years of hard work. And the habit of Pablo’s parents to not talk about emotions makes it difficult for him to connect and fully grasp what is going on. Little by little the process of making the liquor, the vapors, the mists, the cold and the rain submerge Pablo into a journey that brings him back to his childhood, his old fears and all that haunts him. Alicia knows her grandson well, and although they seem to live in opposite worlds, she creates a new bond between them through her rites and beliefs. A connection that sets them both on their own journey.

In Galicia, Pablo's family lives attached to their ancient traditions. He left years ago to become a filmmaker. Now a restless feeling is urging him to go back home to confront the ghosts of the past. 

Pablo Lago Dantas is an experienced director of photography, a CamerImage best cinematography nominee whose films have made it to more than 100 official sections in prestigious international film festivals. In his visual language he is fascinated by the search for the subconscious, using his Galician connections to myth and rituals to add layers and depth to the mundane.&nbsp; O AUTO DAS ÁNIMAS is his first film as a director. An encounter with his place of origin and family, it is a journey through memory, tradition, the deconstruction of home, death and the passage of time.&nbsp; &nbsp;

Pablo 

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Alternative English title: A House for Wandering Souls

English, Spanish 

O auto das ánimas

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84-year-old Vika is a true star of Warsaw nightclubs. As a charismatic and colorful DJ surrounding herself with young people she seems unstoppable and keeps repeating that age is just a number.&nbsp; But as Vika’s health starts to deteriorate she has to come to terms with the passing of time, finding purpose in bringing joy to other seniors – just as lonely as she is. Told with captivating musical parts, VIKA! is a bitter-sweet portrait of a woman who has to face aging, yet celebrating life till the very end.

Charismatic 84-year-old Vika is a DJ, and a true star of Warsaw clubbing scene. Facing the passing of time,  Vika repeats that age is just a number and inspires others to live life to the fullest.

Agnieszka Zwiefka is known to the audience thanks to her films: SCARS (2020) about women fighting the ranks of the Tamil Tigers in Sri Lanka and QUEEN OF SILENCE (2014) about a Roma deaf girl who escapes into the world of Bollywood fantasy. It was in&nbsp;QUEEN OF SILENCE that we saw a combination of a documentary and a musical for the first time. This original film language became the basis for creating the story about DJ Vika.&nbsp;Currently, Agnieszka is working on another documentary, RUNA, about a young girl-refugee, and on her fiction debut.&nbsp;She lives in Wrocław with her husband, two daughters and dogs. He lectures at the University of Wrocław. Makes great kimchi and ramen. She collects old kimonos and, like Vika, believes that it is never too late to live to the fullest.

Agnieszka 

Music

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Vika!

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Paris, summer 2018. Jacqueline Jencquel (74) lives a comfortable life in a splendid apartment in Saint-Germain. Apart from a few age-related ailments, she's in good health. And yet Jackie has decided to die. A mother, grandmother and dedicated right-to-die activist, she sparks a media frenzy by announcing that she will end herlife in January 2020.&nbsp;As the clock ticks, she faces the camera of one of her three sons. Taboos are broken in an honest exchange about death, love, desire and motherhood. Though determined to go ahead, she postpones her final act, in order to enjoy one last spring, one last summer. But when Jackie learns of the imminent birth of a grandchild, she begins to waver and she pushes back “the date” yet again.&nbsp;Seizing on this grace period, Jackie’s son records a series of increasingly meaningful encounters with his mother as he struggles to accept her decision and to learn to let go.

At 75, in good health and living a charmed life, Jackie is determined to end it on her own terms. Through a series of intimate conversations, her son questions whether he can or should dissuade her.

Tuki Jencquel was born in Caracas, Venezuela in 1974 where he attended the German school. He has a degree in film from NYU’s Tisch School of the Arts and a Master of Business Administration from IESA, Venezuela. &nbsp;&nbsp;He founded Orinokia Filmproduktion in 2018 when he moved to Germany. As a director and cameraman he has worked with Deutsche Welle and for Chinese artist Ai Wei Wei.&nbsp;His first feature-length documentary, ESTÁ TODO BIEN, gives a rare voice to the victims of Venezuela’s public health system collapse. It was shown in the Best of Fests section at IDFA 2018 and won numerous international awards. JACKIE THE WOLF is his second documentary feature.&nbsp;&nbsp;He is a member of the German documentary association AG-Dok and a Eurodoc 21 alumni.&nbsp;

Tuki

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Jackie the Wolf

English, German, French

As a world sales company, Film Harbour distributes creative documentaries from around the globe for which we see a potential on the international market. 

The films in our catalog are very diverse in style and content, but they all have one thing in common: we are convinced of their high artistic quality and their strong relevance, and we want to introduce these outstanding documentaries to a wide international audience. 

Our main goal is to make the connection between a film and its viewers, both via the big and the small screen. 

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